In Coralie Fargeat's brand-new feminist terror film The Substance, hazardous social beauty specifications are the actual monsters. They (female objectification, the disposal of "the outdated," the expansion of a field built on body alteration) nourish a beast of a cycle that leads Demi Moore's fading TV individual character Elisabeth https://drblackandmrhydevid.mappywiki.com/966100/the_substance